Zoran Mušič facts for kids

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Quick facts for kids Zoran Mušič
Zoran Mušič in the 1960s
Born	Anton Zoran (1909-02-12)12 February 1909 Bukovica, Austria-Hungary (now in Slovenia)
Died	25 May 2005(2005-05-25) (aged 96) Venice, Italy
Nationality	Slovenian
Education	Academy of Fine Arts Zagreb
Known for	painting, drawing, printmaking
Notable work	Konjički (Little Horses), Dalmatian, Sienese, Umbrian Landscape, Nismo poslednji (We are not the last), Cathedrals, Self-portraits
Movement	Neodvisni, Ecole de Paris
Spouse(s)	Ida Cadorin Ida Barbarigo [fr]
Awards	Grand Prize Venice Biennale (1956) Prešeren Award (1991)

Self-portrait (1997)

Zoran Mušič (12 February 1909 – 25 May 2005), baptised as Anton Zoran Musič, was a Slovene painter, printmaker, and draughtsman. He was one of the few painters of Slovene descent who managed to establish himself in the elite cultural circles of Italy and France, particularly Paris, where he lived for most of his later life. He painted landscapes, still lifes, portraits, and self-portraits, as well as scenes of horror from the Dachau concentration camp and vedute of Venice.

Life
Exhibitions (selection)
Museums and galleries
See also

Life

Zoran Mušič was born in a Slovene-speaking family in Bukovica, a small village in the Vipava Valley near Gorizia, in what was then the Austrian County of Gorizia and Gradisca (now in Slovenia). Mušič's father Anton was the headmaster of the local school, and his mother Marija (née Blažič) was a teacher there. Both parents were Slovenes from the Goriška region: his father was from the village of Šmartno in the Gorizia Hills, and his mother was born in the hamlet of Kostanjevica in the village of Lig.

Mušič's father was mobilized and served on various battlefields during the First World War. In 1915, during the Battles of the Isonzo, the family (his mother with two children) was forced to flee to Arnače, a village near Velenje in the Duchy of Styria, where Zoran attended elementary school. In the spring of 1918, toward the end of World War I, the family moved back to Gorizia, but they were expelled again in late August 1919 by the Italian authorities, which had occupied the region. They moved to Griffen in Carinthia, but were expelled once again by the Austrian authorities after the Carinthian Plebiscite in late October 1920. They finally settled in Lower Styria, then part of the Kingdom of Serbs, Croats and Slovenes.

Mušič attended two high schools in Maribor till 1928. After, he visited Vienna for a short time. Between 1930 and 1935 he continued his studies at the Academy of Fine Arts in Zagreb. Mušič spoke Slovene, German, Croatian, Italian, French and some Friulian.

After graduation in 1934, he travelled extensively around Europe. He spent three months (April to June 1935) in Spain, mainly Madrid. Later he served his obligatory army service in Bileća (1936) in Yugoslavia. He spent each summer in Dalmatia while being based in Maribor and nearest village Hoče. In 1940, he moved to Ljubljana permanently. During this period (1942), he painted in two churches in his native Goriška region, together with his friend, painter Avgust Černigoj (Drežnica, Grahovo) and one in village Gradno with another Slovenian painter Lojze Spacal. In October 1943, he moved to Trieste and later for the first time to Venice. He had his first one-man show (outside Yugoslavia) in Trieste and several months later in Venice. In early October 1944, he was arrested by the Nazi German forces because he was in a group of Slovene anti-fascists. The group had hidden transmitter and was connected with British IS. His drawing and painting in Venice raised suspicions that he was a spy, and a month later he was sent to Dachau concentration camp, where he made more than 180 sketches of life in the camp, some under extremely difficult circumstances. From the drawings, mainly executed in May 1945, he managed to save around one hundred (some more with his friends). After liberation by Americans on April 29, 1945, Mušič returned to his hometown Ljubljana in early June. There, he was sent to a hospital (Golnik). A month later he was subjected to the pressures by the newly established Communist regime and moved to Gorizia at the end of July 1945. In the following months he travelled in the area of Trieste and Istria, spending some time in Pinguente (Buzet). In October 1945 he settled in Venice with the help of family Cadorin and returned to the painting. In September 1949 he married younger painter Ida Cadorin – Barbarigo there. He also painted a room in Vila Dornacher near Zuerich at the same period.

In 1950 he prepared huge tapestry: Marco Polo and his way to China for the passenger ship Augustus. At the same time he won the Gualino prize and in 1956 the Grand Prize for his printmaking at the Venice Biennale. In 1951 he was awarded the Prix de Paris, (jointly with Antonio Corpora) for his colorful paintings of Dalmatia. After 1952 he lived mainly in Paris, where the 'lyrical abstraction' of the French Informel determined the art world. Throughout this period he kept his studio in Venice and exhibited again at the Biennale in 1960, when he was awarded the UNESCO Prize. The much acclaimed series We Are Not the Last, in which the artist transformed the terror of his experiences in the concentration camp into documents of universal tragedy, was made in the 1970s. His last achievement were series of Selfportratis and Double portraits. He had problems with his eyesight. Partly blind he signed his last drawings in the year 2000.

In 1981 Mušič was appointed Commandeur des Arts et des Lettres in Paris. Mušič's work has been honoured in numerous international exhibitions, such as the large retrospective exhibition at the Grand Palais in Paris in 1995, opened by the French and Slovenian presidents François Mitterrand and Milan Kučan. At the same time Austrians promised him a permanent exhibition in Klagenfurt. It was never established. A huge part of his works was taken from his studio and never returned to the painter or his wife.

In 1991, Mušič was given the Prešeren Award for lifetime achievement, the highest decoration in the field of the arts in Slovenia. Some of Mušič's works have been featured at Piran Coastal Galleries. Gallery Zala from Ljubljana prepared 7 exhibitions (4 in Ljubljana, one in: Belgrade, Vienna and London). A big retrospective was prepared in Modern Gallery from Ljubljana in November 2009. Academy of Sciences from Slovenia published a monograph, written by 20 authors from Slovenia, Croatia, Austria, Italy and France (Vizije Zorana Mušiča) November 2012. First permanent exhibition of his prints was open in Dobrovo in 1991. Only permanent exhibition of his different works (paintings, prints, drawings) was open in National Gallery in Ljubljana in 2016. Bigger temporary exhibition of selected works was prepared in Lugano, Collezione Braglia in October 2016. Another exhibition was in Venice at Fortuny Museum in spring 2018: A Tribute to Zoran Music, The Zurich Room. The Leopold Museum in Vienna opened a bigger retrospective exhibition in April 2018 with 167 selected works.

He died in Venice in 2005 at the age of 96. He is buried in the local St. Michele cemetery.

Exhibitions (selection)

1942: Zoran Mušič. Galerija Obersnel, Ljubljana, (February)
1944: Zoran Music. 25 oeuvres exposées. Piccola Galleria, Venice (June 17 – July 8)
1960: Music. Peintures et gouaches. Galerie_de_France, Paris (February 26 – March 20)
1964: Music. Zeichnungen und Graphik. Kunstmuseum Basel (May 9 – June 14)
1967: Zoran Anton Music. Retrospektivna razstava. Moderna Galerija, Ljubljana (April 14 – May 7)
1978: Music, le temps d'une mémoire. Rétrospective: Toiles – Aquarelles – Gouaches – Dessins de 1951 à 1977. Galerie de France, Paris (April 4 – May 20)
1992–93: Music, Arbeiten auf Papier von 1945 bis 1992. Graphische Sammlung Albertina, Vienna (November 25 – January 31)
1995: Zoran Music. Galeries nationales du Grand Palais, Paris (April 4 – Juli 3)
1995: Zoran Music. Nous ne sommes pas les derniers, Peintures, Dessins, Gravures. Musée des Beaux-Arts de Caen, Caen (May 18 – August 16)
1995–96: Zoran Music: Die späten Jahre. Bayerische Akademie der Schönen Künste, Munich (November 24 – January 14)
1997: Zoran Music. Schirn Kunsthalle Frankfurt, Frankfurt Main (April 24 – June 29)
1997: Zoran Music. MMG Gallery, Tokyo (August)
1998: Zoran Music: gli acquerelli veneziani 1947–1949. Museo Morandi – Instituzione Galleria d'Arte Moderna, Bologna (January 22 – April 13)
2006: Music in Slovene private Collections (1935–1997). Galerija Zala, Ljubljana (November 24 – December 22)
2009: A Spanish vision, February. National Gallery of Slovenia, Ljubljana (12. February – March)
2009: Zoran Mušič in private and public collections, November 2009 – February 2010. Modern Gallery of Slovenia, Ljubljana
2009: Zoran Mušič v slovenskih zasebnih zbirkah III. Galerija Zala, Ljubljana (February)
2016: Zoran Mušič, Permanent collection. National Gallery of Slovenia, Ljubljana
2018: Omaggio a Zoran Music. La Stanza di Zurigo. Museo Fortuny, Venezia (Febbraio)
2018: Zoran Music. Poesie der Stille. Leopold Museum, Vienna (April 13 – August 6)
2019: Zoran Music. Gallery W&K – Wienerroihter & Kohlbacher, Vienna (May 22 – September 13)
2019: Music in Slovene private Collections VII. Galerija Zala, Ljubljana (June 6 – June 25)
2019: Zoran Mušič. Galerija in antikvitete Novak, Ljubljana (October 24 – November 9)
2020: Zoran Mušič. "The fascination of painting". Klagenfurt, (January 23 – March 1)
2020: Zoran Mušič.111 catalogues for the 111 Anniversary. National Gallery, Ljubljana. (February 11 – May 30)
2020: Zoran Mušič. "Drawings from Dachau," Modern Gallery, Ljubljana. (February 27 – July 1)

Museums and galleries

Austria

Albertina, Vienna
Essl Museum – Contemporary Art, Klosterneuburg/Vienna
StadtGalerie, Klagenfurt, Klagenfurt

Chile

Museo de la Solidaridad Salvador Allende, Santiago de Chile

Croatia

Galerija Moderne umjetnosti, Zagreb
Muzej moderne i sodobne umjetnosti, Rijeka

France

Musée des Beaux-Arts, Caen
Musée National d'Art Moderne, Paris
Musée National du Louvre, Paris, prints
Centre National Georges Pompidou, Paris, 10 drawings from Dachau
Musée Malraux, Le Havre
Musée de Valence, Valence

Germany

Museum Abteiberg, Mönchengladbach
Museum Folkwang, Essen
Neue Pinakothek, München

Italy

Galleria d´Arte Moderna, Bologna
Galleria internazionale d'Arte Moderna Ca' Pesaro, Venice
Museo Fortuny, Venice
Galleria Nazionale, Roma, tapestry
GaMeC galleria, Bergamo, painting
Musei Provinciali di Gorizia, Gorizia, paintings
Museo Morandi, Bologna
Musei Civici, Treviso
Museo Revoltella, Trieste, 24 drawings from Dachau
MAGI '900- Museum of Artistic and Historical Excellence, Pieve di Cento (BO)

Israel

Yad Vashem museum, Jerusalem

Netherlands

Stedelijk Museum, Amsterdam

Slovenia

Nova Gorica Regional Museum / Castle Kromberk, Zoran Mušič Gallery, Dobrovo, permanent exhibition: prints
Pilon Gallery, Ajdovščina
City Museum of Ljubljana, Ljubljana
Museum of Modern Art, Ljubljana, drawings, prints, paintings
Museum of Contemporary History, Ljubljana, print
National Gallery of Slovenia, Ljubljana, permanent exhibition: paintings, sketches, prints
Maribor Art Gallery, Maribor, paintings, prints
Museum of White Carniola, Kambič Collection, Metlika, part of the permanent exhibition in the Kambič Gallery; paintings prints, drawings
Carinthia Art History Gallery, Slovenj Gradec