The Lord of the Rings (film series) facts for kids

Quick facts for kids The Lord of the Rings
Directed by	Peter Jackson
Produced by	Barrie M. Osborne Peter Jackson Fran Walsh Tim Sanders
Screenplay by	Fran Walsh Philippa Boyens Peter Jackson Stephen Sinclair
Starring	Elijah Wood Ian McKellen Liv Tyler Viggo Mortensen Sean Astin Cate Blanchett John Rhys-Davies Christopher Lee Billy Boyd Dominic Monaghan Orlando Bloom Hugo Weaving Andy Serkis Sean Bean
Music by	Howard Shore
Cinematography	Andrew Lesnie
Editing by	John Gilbert Michael Horton Jamie Selkirk
Distributed by	New Line Cinema
Release date(s)	2001–2003
Running time	Total (3 films): 558 minutes (theatrical) 686 minutes (extended)
Country	New Zealand United States
Language	English
Budget	Total (3 films): $287 million
Money made	Total (3 films): $2.993 billion

The Lord of the Rings is a series of three epic fantasy adventure films directed by Peter Jackson, based on the novel The Lord of the Rings by J. R. R. Tolkien. The films are subtitled The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003). Produced and distributed by New Line Cinema with the co-production of WingNut Films. The films feature an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Andy Serkis and Sean Bean.

Set in the fictional world of Middle-earth, the films follow the hobbit Frodo Baggins as he and the Fellowship embark on a quest to destroy the One Ring, to ensure the destruction of its maker, the Dark Lord Sauron. The Fellowship eventually splits up and Frodo continues the quest with his loyal companion Sam and the treacherous Gollum. Meanwhile, Aragorn, heir in exile to the throne of Gondor, along with the elf Legolas, the dwarf Gimli, Merry, Pippin, and the wizard Gandalf, unite to save the Free Peoples of Middle-earth from the forces of Sauron and rally them in the War of the Ring to aid Frodo by distracting Sauron's attention.

The three films were shot simultaneously in Jackson's native New Zealand from 11 October 1999 until 22 December 2000, with pick-up shots done from 2001 to 2003. It was one of the biggest and most ambitious film projects ever undertaken, with a budget of $281 million (equivalent to $494 million in 2022). The first film in the series premiered at the Odeon Leicester Square in London on 10 December 2001; the second film premiered at the Ziegfeld Theatre in New York City on 5 December 2002; the third film premiered at the Embassy Theatre in Wellington on 1 December 2003. An extended edition of each film was released on home video a year after its release in cinemas.

The Lord of the Rings is widely regarded as one of the greatest and most influential film series ever made. It was a major financial success and is among the highest-grossing film series of all time with $2.991 billion in worldwide receipts. All three films received widespread acclaim from critics and audiences, who lauded the acting, direction, writing, production values, score, ambition, emotional depth, groundbreaking special effects and faithfulness to the source material. The series received numerous accolades, winning 17 Academy Awards out of 30 total nominations, including Best Picture for The Return of the King. In 2021, The Fellowship of the Ring was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".

Films

The Fellowship of the Ring

The Two Towers

The Return of the King

Cast and crew

The trilogy is notable for featuring an extensive cast including (alphabetically from left to right): Sean Astin, Sean Bean, Cate Blanchett, Orlando Bloom, Billy Boyd, Christopher Lee, Viggo Mortensen, Ian McKellen, Dominic Monaghan, John Rhys-Davies, Andy Serkis, Liv Tyler, Karl Urban, Hugo Weaving, and Elijah Wood.

Casting

Jackson began abstract discussions on casting during the development of the scripts with Miramax. Jackson, Walsh and Boyens compiled a casting wishlist, which included Cate Blanchett for Galadriel and Ian Holm for Bilbo. Wondering whether Patrick Stewart would be right for the part of Gandalf, Philippa Boyens drew a tape of him performing opposite Ian McKellen, only to suggest the latter to Jackson. McKellen became Jackson's first choice for Gandalf. Christopher Lee sent Jackson a photograph of him in a wizard's costume, wanting to play Gandalf, but Jackson decided Lee would instead be better as Saruman.

Miramax wanted a recognisable name for Gandalf, and suggested Max von Sydow or Paul Scofield and, wanting an American star, even mentioned Morgan Freeman. When New Line took over, they suggested Christopher Plummer or Sean Connery for the part (both declined), and put a veto against Richard Harris when his name came up. When von Sydow inquired for the part later, his agent told him they were looking for an English actor.

While casting, Jackson looked for backup options for the various parts, including Lucy Lawless and Nicole Kidman for Galadriel; Anthony Hopkins or Sylvester McCoy (eventually cast as Radagast in The Hobbit trilogy) for Bilbo; Paul Scofield, Jeremy Irons, Malcolm McDowell or Tim Curry for Saruman. For Gandalf, they looked into Tom Baker, Tom Wilkinson, Sam Neill, Bernard Hill (who was instead cast as Théoden) and Peter O'Toole, and into several older actors who auditioned for other parts, such as Patrick McGoohan and Anthony Hopkins.

Miramax and Jackson discussed Sir Daniel Day-Lewis for Aragorn, starting "fanciful internet speculation" that Day-Lewis was approached for the part numerous times, although Jackson eventually inquired about him. Jackson cast Stuart Townsend, whom the studio deemed too young. After shooting began, Jackson agreed and decided to recast the role. They approached Viggo Mortensen, but also spoke to Russell Crowe (who auditioned for Boromir previously), as a backup choice.

Patrick McGoohan, their first choice for Denethor, proved "quite grumpy" when they met, and they instead looked into Donald Sutherland and John Rhys-Davies, and ultimately cast John Noble. Davies was recast as Gimli, instead of Billy Connolly (later cast as Dáin in The Hobbit: The Battle of the Five Armies), Robert Trebor and Timothy Spall. In conversations with Miramax, Liam Neeson's name came up for Boromir, but he declined. New Line suggested Nicolas Cage, but the filmmakers declined and cast Sean Bean.

Cast

The following are the cast members who voiced or portrayed characters appearing in the extended version of the films.

Crew

 ^FOTR indicates he only worked on The Fellowship of the Ring.

 ^TT indicates he only worked on The Two Towers.

 ^ROTK indicates he is only credited as editor on The Return of the King.

Development

Peter Jackson at the premiere of The Lord of the Rings: The Return of the King on 1 December 2003 at the Embassy Theatre in Wellington.

Previous attempts

Previous attempts to film Tolkien's works were made by William Snyder, Peter Shaffer and John Boorman. These attempts resulted in a couple of unproduced scripts, concept art and an animated short. Other filmmakers and producers to have had an interest in adapting Tolkien are said to include Walt Disney, Al Brodax, Forrest Ackerman, Denis O'Dell (who considered Richard Lester to direct, but instead approached David Lean, Stanley Kubrick and Michelangelo Antonioni) and George Lucas. The rights to adapt Tolkien's works passed through the hands of several studios, having been briefly leased to Rembrandt Films before being sold perpetually to United Artists. In 1976, UA passed the rights to The Lord of the Rings (and a part of the rights to The Hobbit) to Fantasy Films.

In 1977, an animated adaptation of The Hobbit was produced as a TV special by Rankin and Bass, and in 1978 Ralph Bakshi made an animated feature of the first half of The Lord of the Rings. While profitable, the film did not make enough money to automatically warrant the sequel which would close the story, and an argument with producer Saul Zaentz led Bakshi to abandon the project. Rankin/Bass then followed in 1980 with an animated TV adaptation of The Return of the King. Several other Tolkienesque fantasy films were produced at the time, including Jim Henson and Frank Oz's The Dark Crystal and Lucas's Willow.

At the time of the release of Bakshi's film, a teenaged Peter Jackson had not read the book, but "heard the name", and went to see the film: "I liked the early part—it had some quaint sequences in Hobbiton, a creepy encounter with the Black Rider on the road, and a few quite good battle scenes—but then, about half way through, the storytelling became very disjointed and disorientating and I really didn't understand what was going on. However, what it did do was to make me want to read the book—if only to find out what happened!" Jackson bought a tie-in paperback edition. He later read The Hobbit and The Silmarillion, and listened to the 1981 BBC radio adaptation. Assuming someone would one day adapt it to a live-action film, Jackson read up on some previous attempts to bring the piece to the screen. He had not watched the Rankin and Bass TV specials.

Pitch to Miramax

In 1995, while completing post-production on The Frighteners, Jackson and Fran Walsh discussed making an original fantasy film, but could not think of a scenario that was not Tolkien-esque, and eventually decided to look up the film rights. They went to Harvey Weinstein from Miramax, who got the rights from Saul Zaentz. Jackson knew it would take multiple films to do Tolkien justice, but initially pitched a single trilogy: one film based on The Hobbit and, if that would prove successful, two Lord of the Rings films shot back-to-back. Jackson began rereading The Hobbit, looking at illustrations and commissioning concept art from the book, but the rights eventually proved unattainable, having been split between Zaentz and United Artists. Weinstein tried to buy the studio's share of the rights, but was unsuccessful.

With The Hobbit postponed for a later prequel, Jackson proceeded with making two or more Lord of the Rings films: "We pitched the idea of three films and Miramax didn't really want to take that risk, but we agreed on two." He began writing the scripts with Walsh and Stephen Sinclair, storyboarding with Christian Rivers and discussing casting ideas with the Weinsteins. Meanwhile, Weta Digital began software development for the digital effects required, and WETA Workshop were producing props and concept art. Sinclair later dropped out of the project, but Jackson felt that some of his contributions survived into the finished scripts, particularly the middle film, The Two Towers, for which he is credited.

Move to New Line

As the scripts took shape, it became clear that the budget required would exceed Miramax's capabilities. The Weinsteins suggested cutting the project to one film. Jackson inquired whether it could be around four hours in duration, but Miramax insisted on two hours, suggesting major cuts to the story, which Jackson refused. Harvey Weinstein threatened to replace Jackson with screenwriter Hossein Amini and directors John Madden or Quentin Tarantino. Jackson believed this was an empty threat to get him to concede to making a one-film version himself.

Harvey Weinstein eventually relented to putting the project on a turnaround, but the onerous conditions were meant to prevent the project from being taken up by another studio. Jackson got an audience with New Line CEO Robert Shaye, who accepted the project, but requested that it be expanded into a trilogy. New Line had many promising reasons that the trilogy would be successful, which led them to sign on. Final cut rights were shared contractually between Jackson and Bob Shaye, but there was never any interference in Jackson's cut. Initially, each film had a production budget of $60 million, but New Line accepted Jackson's request for an increased budget after a 26-minute preview of The Fellowship of the Ring was presented at the 2001 Cannes Film Festival.

Production

Alan Lee, a Tolkien illustrator who assisted in the visual design, at Worldcon 2005 in Glasgow.

Jackson began storyboarding and screenwriting the series with Christian Rivers, Fran Walsh and Philippa Boyens in 1997 and assigned his crew to begin designing Middle-earth at the same time. Jackson, Walsh and Boyens did not write each film to correspond exactly to its respective book, opting instead to write a three-part adaptation with some sequences missing, some sequences created from scratch, and some sequences moved from one area to another regardless of its placement in the books. To allow the story to be clearer for viewers, Jackson takes a more chronological approach to the story than Tolkien's complex interlacing of storylines. During shooting, the screenplays continued to evolve, in part due to contributions from cast members looking to further explore their characters.

Earlier versions of the script included additional characters like Fatty Bolger, Glorfindel, Elladan, Elrohir, Erkenbrand, Imrahil and Forlong. At one point, Jackson even considered reintroducing Tom Bombadil in a cameo. Gimli was going to swear throughout the films, and Arwen would join the Fellowship in Rohan and share a scene with Aragorn in the pools of the Glittering Caves.

Jackson hired long-time collaborator Richard Taylor to lead Weta Workshop on five major design elements: armour, weapons, prosthetic makeup, creatures and miniatures. At New Line's request, animation supervisor Jim Rygiel replaced Weta Digital's Mark Stetson. In November 1997, famed Tolkien illustrators Alan Lee and John Howe joined the project; most of the imagery in the films is based on their various illustrations, but Jackson also relied on the work of Ted Nasmith, who later had to turn down an offer to join Alan and John. Jackson wanted realistic designs in the style of historical epics rather than fantasy films, citing Braveheart as an inspiration:

"It might be clearer if I described it as an historical film. Something very different to Dark Crystal or Labyrinth. Imagine something like Braveheart, but with a little of the visual magic of Legend. [...] It should have the historical authority of Braveheart, rather than the meaningless fantasy mumbo-jumbo of Willow.

Production designer Grant Major was charged with the task of converting Lee and Howe's designs into architecture, creating models of the sets, while Dan Hennah worked as art director, scouting locations and organizing the building of sets. Ngila Dickson collaborated with Richard Taylor on producing costumes, while Peter King and Peter Owen designed makeup and hair. Most of these crew members (and others) returned to work on The Hobbit.

Jackson and cinematographer Andrew Lesnie considered shooting in large format like 65 mm film and/or to master the films at 4K, but both were cost-prohibitive and couldn't be done on New Zealand soil. They decided to shoot on fine-grain Super 35 mm film and subject the films to rigorous digital grading.

The house of Bilbo and Frodo Baggins in the Shire, as filmed in New Zealand

Principal photography for all three films was conducted concurrently in many locations within New Zealand's conservation areas and national parks. Filming took place between 11 October 1999 and 22 December 2000. Pick-up shoots were conducted annually from 2001 to 2004. The series was shot at over 150 different locations, with seven different units shooting, as well as soundstages around Wellington and Queenstown. Along with Jackson directing the whole production, other unit directors included John Mahaffie, Geoff Murphy, Fran Walsh, Barrie M. Osborne, Rick Porras and any other assistant director, producer, or writer available. Miniature Photography took place throughout the entire period, amounting to over 1,000 shooting days.

Weta Digital developed new technologies to allow for the groundbreaking digital effects required for the trilogy, including the development of the MASSIVE software to generate intelligent crowds for battle scenes, and advancing the art of motion capture, which was used on bipedal creatures like the Cave Troll or Gollum. With Jackson's future films, motion-capture technology came to be pushed so far that it became referred to as "digital makeup", although it was later clarified that during The Lord of the Rings period, it was still fairly reliant on the CG animators.

Each film had the benefit of a full year of post-production time before its respective December release, often finishing in October–November, with the crew immediately going to work on the next film. Jackson originally wanted to edit all three films with Jamie Selkirk, but this proved too much work. The next idea was to have John Gilbert, Michael Horton and Selkirk, respectively, editing the three films simultaneously, but after a month that proved too difficult for Jackson, and the films were edited in consecutive years, although Selkirk continued to act as "Supervising Editor" on the first two entries. Daily rushes would often last up to four hours, and by the time The Fellowship of the Ring had been released, assembly cuts of the other two films (41⁄2 hours each) were already prepared. In total, 1,828 km (six million feet) of film was edited down to the 11 hours and 26 minutes (686 minutes) of extended running time.

Music

Howard Shore, composer of the music of the films.

Howard Shore composed, orchestrated, conducted and produced the trilogy's music. Shore visited the set in 1999, and composed a version of the Shire theme and Frodo's Theme before Jackson began shooting. In August 2000 he visited the set again, and watched the assembly cuts of The Fellowship of the Ring and The Return of the King. In the music, Shore included many (85 to 110) leitmotifs to represent various characters, cultures and places—the largest catalogue of leitmotifs in the history of cinema, surpassing, for comparison, that of the entire Star Wars film series. For example, there are multiple leitmotifs just for the hobbits and the Shire. Although the first film had some of its score recorded in Wellington, virtually all of the trilogy's score was recorded in Watford Town Hall and mixed at Abbey Road Studios. Jackson planned to advise the score for six weeks each year in London, though for The Two Towers he stayed for twelve.

The score is primarily played by the London Philharmonic Orchestra, ranging from 93 to 120 players throughout the recording. London Voices, the London Oratory School Schola boy choir, and many artists such as Ben Del Maestro, Sheila Chandra, Enya, Renée Fleming, James Galway, Annie Lennox and Emilíana Torrini contributed. Even actors Billy Boyd, Viggo Mortensen, Liv Tyler, Miranda Otto (extended cuts only for the latter two) and Peter Jackson (for a single gong sound in the second film) contributed to the score. Fran Walsh and Philippa Boyens served as librettists, writing lyrics to various music and songs, which David Salo translated into Tolkien's languages. The third film's end song, "Into the West", was a tribute to a young filmmaker Jackson and Walsh befriended named Cameron Duncan, who died of cancer in 2003.

Shore composed a main theme for the Fellowship rather than many different character themes, and its strength and weaknesses in volume are depicted at different points in the series. On top of that, individual themes were composed to represent different cultures. Infamously, the amount of music Shore had to write every day for the third film increased dramatically to around seven minutes. The music for the series has been voted best movie soundtrack of all time for the six years running, passing Schindler's List (1993), Gladiator (2000), Star Wars (1977) and Out of Africa (1985), respectively.

Soundtracks

Legacy

The release of the films saw a surge of interest in The Lord of the Rings and Tolkien's other works, vastly increasing his impact on popular culture. The success of the films spawned numerous video games and many other kinds of merchandise.

The Hobbit trilogy

From 2012 to 2014 Peter Jackson and his studio Wingnut Films made The Hobbit trilogy consisting of the films The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug and The Hobbit: The Battle of the Five Armies. The trilogy works as a prequel to The Lord of the Rings films.

The War of the Rohirrim

In 2024, a stand-alone animated prequel film to Peter Jackson's The Lord of the Rings films, titled The War of the Rohirrim, will be released. It is directed by Kenji Kamiyama, with Miranda Otto reprising her role from live-action, serving as the film's narrator.

Reunion

On 31 May 2020, through his YouTube channel, actor Josh Gad aired a virtual cast reunion via Zoom as the fourth episode of the web series Reunited Apart, a charity fundraising effort during the COVID-19 pandemic, with The Lord of the Rings reunion supporting Share Our Strength's campaign called "No Kid Hungry". A large part of the original cast participated, including Sean Astin, Sean Bean, Orlando Bloom, Billy Boyd, Bernard Hill, Ian McKellen, Dominic Monaghan, Viggo Mortensen, Miranda Otto, John Rhys-Davies, Andy Serkis, Liv Tyler, Karl Urban and Elijah Wood. The director Peter Jackson, screenwriter Philippa Boyens and composer Howard Shore were present. On 2 June 2020, Josh Gad announced that the charity had raised over $100,000.

Effects on the film industry and tourism

Air New Zealand painted this Airbus A320 in The Lord of the Rings livery to promote The Return of the King in 2004.

As a result of the series' success, Peter Jackson has become a major figure in the film industry in the mould of Steven Spielberg and George Lucas, in the process befriending some industry heavyweights like Bryan Singer and Frank Darabont. Jackson has since founded his own film production company, Wingnut Films, as well as Wingnut Interactive, a video game company. He was also finally given a chance to remake King Kong in 2005. The film was a critical and box office success, although not as successful as The Lord of the Rings series. Jackson has been called a "favourite son" of New Zealand. In 2004, Howard Shore toured with The Lord of the Rings Symphony, playing two hours of the score. Along with the Harry Potter films, the series has renewed interest in the fantasy film genre. Tourism in New Zealand is up, possibly due to its exposure in the series, with the country's tourism industry waking up to an audience's familiarity.

In 2002 the Museum of New Zealand Te Papa Tongarewa in Wellington created a travelling exhibition of the film trilogy, The Lord of the Rings Motion Picture Trilogy: The Exhibition. It visited cities around the world including Boston, London, Sydney, Singapore and Houston.

Legal disputes

The Lord of the Rings left a legacy of court cases over profits from the trilogy. Sixteen cast members (Noel Appleby, Jed Brophy, Mark Ferguson, Ray Henwood, Bruce Hopkins, William Johnson, Nathaniel Lees, Sarah McLeod, Ian Mune, Paul Norell, Craig Parker, Robert Pollock, Martyn Sanderson, Peter Tait and Stephen Ure) sued over the lack of revenue from merchandise bearing their appearance. The case was resolved out of court in 2008. The settlement came too late for Appleby, who died of cancer in 2007. Saul Zaentz also filed a lawsuit in 2004 claiming he had not been paid all of his royalties.

The next year, Jackson himself sued the studio over profits from the first film, slowing development of The Hobbit prequels until late 2007. The Tolkien Trust filed a lawsuit in February 2008, for violating Tolkien's original deal over the rights that they would earn 7.5% of the gross from any films based on his works. The Trust sought compensation of $150 million. A judge denied them this option, but allowed them to win compensation from the act of the studio ignoring the contract itself. On 8 September 2009, the dispute was settled.

Video games

Numerous video games were released to supplement the film series. They are The Two Towers, The Return of the King, The Third Age, The Third Age (Game Boy Advance), Tactics, The Battle for Middle-earth, The Battle for Middle-earth II, The Battle for Middle-earth II: The Rise of the Witch-king, Conquest, Aragorn's Quest, War in the North, Lego The Lord of the Rings, Guardians of Middle-earth, Middle-earth: Shadow of Mordor, and Middle-earth: Shadow of War.

See also

In Spanish: Trilogía cinematográfica de El Señor de los Anillos para niños