William Ringwood facts for kids
Quick facts for kids
William Ringwood
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| Uilliam Ringwood | |
Violin by Ringwood, c. 1800
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| Born | c. 1769 Dublin, Ireland
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| Died | c. 1842 Dublin, Ireland
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| Nationality | Irish |
| Education | Thomas Perry |
| Known for | Luthier |
| Style | Amati style |
| Movement | Irish school |
William Ringwood (Irish: Uilliam Ringwood; c. 1769 – 1842) was an Irish luthier and professor from Dublin.
Contents
Early life
Very little is known about Ringwood's early life. Based on the year he began his apprenticeship as a violin maker, it is thought that he was born some time around 1769, probably near Dublin. It is also possible that he may have been born later in the year 1771, as he is recorded as still being an apprentice in deeds dated 1793.
Career
Apprenticeship and early career: 1783–1793
Ringwood began his career as a luthier in Dublin in the early 1780s. He was apprenticed to renowned Dublin maker Thomas Perry at 6 Anglesea Street between 1783 and 1790. There, Ringwood learned his trade as a violin maker alongside another one of Perry's great apprentices, Richard Tobin, and Perry's nephew and later son-in-law, William Wilkinson. Much of what we know about Ringwood's time at the Perry firm comes from the Registry of Deeds. On 20 June 1785, his mentor Perry renewed the lease of his house and workshop on Anglesea Street. The deed was witnessed and signed by Ringwood, who is referred to as "apprentice to Thomas Perry". In 1789, Perry took his son-in-law and nephew, Wilkinson, into partnership and the firm became known as 'Perry & Wilkinson'. On 22 February 1793, Perry took out another lease on the same property and Ringwood is again recorded as a witness, referred to as "apprentice to the said Thomas Perry". This puts into question the year in which Ringwood started his apprenticeship with Perry, pushing it back to 1785 at the latest, or suggests that it took Ringwood longer than the standard 7 years to complete his apprenticeship.
Associate of the firm: 1793–1818
After his apprenticeship, Ringwood became an associate of the firm and remained at Anglesea Street until Perry's death in 1818. During this time, Ringwood would have overlapped with some of Perry's other great apprentices, such as John Delany, who began working at the firm in 1796 and John Mackintosh, who joined in 1808. Ringwood also would have worked with renowned Italian luthier, Vincenzo Panormo, who came to Dublin in 1799 and spent a few years working for Perry. Ringwood is thought to have had a son, Arthur (born c. 1812), who apprenticed with him to become a violin maker. Ringwood is recorded as being a witness to Perry's last will and testament, which he signed it on 7 June 1818. Thomas Perry died in November later that year.
Partnership and later career: 1818–1842
After Perry's death, Ringwood set up in partnership with another maker, John Wheatley, and developed what was described as a "prosperous dealing business", employing several assistants to make instruments for them. This partnership may only have lasted until around 1825. Ringwood is recorded by Brian Boydell as having worked as a professor of music in Waterford around 1824. Ringwood later worked as a luthier on his own account and is listed as having lived and worked at addresses such as 150 Abbey Street in 1830 and 1831, 27 Mary Street in 1832 and 14 Fownes Street in 1842. It is believed that he was active as a maker/dealer until his death in c. 1842.
Style and technique
As he spent much of his life working for the firms of Thomas Perry and Perry & Wilkinson, it is difficult to assess Ringwood's individual ability as a maker. Those that are identifiable as Ringwood's are considered "of a very fine order" and he is regarded as "one of Perry's most talented apprentices". Ringwood's later instruments are similar in style to that of Nicola Amati, who's violins had a big influence on the Irish school. He may have studied directly from an Amati instrument, as it is believed that his mentor, Perry, was lent one by the Duke of Leinster. It is possible that Ringwood was also influenced by Panormo's style, which was also of the Amati school, and who made instruments for the Duke of Leinster while in Dublin.
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Extant instruments
It is not known how many instruments Ringwood produced in his lifetime. His name is sometimes seen in Perry's instruments, and his later instruments were likely the work of his assistants. A very fine red-varnished violin by Ringwood was played for many years by Irish violinist Thérèse Timoney.
Some of Ringwood's extant instruments:
- c. 1800: Dublin, sold by Tarisio (Cozio 104002)
- (?): Dublin, previously in the William Hofmann collection, used by Thérèse Timoney in the 1970s
See also
- John Delany (luthier)
- John Mackintosh (luthier)
- Vincenzo Panormo
- Thomas Perry (luthier)
- Richard Tobin (luthier)
