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Thomas Shadwell
Thomas Shadwell from NPG.jpg
Poet Laureate of the United Kingdom
In office
9 March 1689 – 19 or 20 November 1692
Monarch William III and Mary II
Preceded by John Dryden
Succeeded by Nahum Tate
Personal details
Born c. 1642
Weeting or Lynford, Norfolk, England
Died (1692-11-19)19 November 1692 (aged approx. 49–50)
London, England
Spouse Anne Shadwell
Children 4, including Charles
Alma mater Gonville and Caius College, Cambridge
Occupation Poet, playwright
Awards Poet laureate

Thomas Shadwell (c. 1642 – 19 November 1692) was an English poet and playwright who was appointed Poet Laureate in 1689.

Life

Shadwell was born at either Bromehill Farm, Weeting-with-Broomhill or Santon House, Lynford, Norfolk, and educated at Bury St Edmunds School, and at Gonville and Caius College, Cambridge, which he entered in 1656. He left the university without a degree, and joined the Middle Temple. At the Whig triumph in 1688, he superseded John Dryden as poet laureate and historiographer royal. He died at Chelsea on 19 November 1692. He was buried in Chelsea Old Church, but his tomb was destroyed by wartime bombing. A memorial to him with a bust by Francis Bird survives in Poets' Corner in Westminster Abbey.

He was married to the actress Anne Shadwell, who appeared in several of his plays. They had four children including the playwright Charles Shadwell and John Shadwell, a physician who attended to both Queen Anne and George I.

Works

In 1668 he produced a prose comedy, The Sullen Lovers, or the Impertinents, based on Les Fâcheux by Molière, and written in open imitation of Ben Jonson's comedy of humours. His best plays are Epsom Wells (1672), for which Sir Charles Sedley wrote a prologue, and The Squire of Alsatia (1688). Alsatia was the cant name for the Whitefriars area of London, then a kind of sanctuary for persons liable to arrest, and the play represents, in dialogue full of the local argot, the adventures of a young heir who falls into the hands of the sharpers there.

For fourteen years from the production of his first comedy to his memorable encounter with John Dryden, Shadwell produced a play nearly every year. These productions display a hatred of sham, and a rough but honest moral purpose, and present a vivid picture of contemporary manners.

Shadwell is chiefly remembered as the unfortunate Mac Flecknoe of Dryden's satire, the "last great prophet of tautology", and the literary son and heir of Richard Flecknoe:

Dryden had furnished Shadwell with a prologue to his True Widow (1679) and, in spite of momentary differences, the two had been on friendly terms. But when Dryden joined the court party, and produced Absalom and Achitophel and The Medal, Shadwell became the champion of the Protestants, and made a scurrilous attack on Dryden in The Medal of John Bayes: a Satire against Folly and Knavery (1682). Dryden immediately retorted in Mac Flecknoe, or a Satire on the True Blue Protestant Poet, T.S. (1682), in which Shadwell's personalities were returned with interest. A month later he contributed to Nahum Tate's continuation of Absalom and Achitophel satirical portraits of Elkanah Settle as Doeg and of Shadwell as Og. In 1687, Shadwell attempted to answer these attacks in a version of Juvenal's 10th Satire.

However, Dryden's portrait of Shadwell in Absalom and Achitophel cut far deeper, and has withstood the test of time. In this satire, Dryden noted of Settle and Shadwell:

Nonetheless, Shadwell, due to the Whig triumph in 1688, superseded his enemy as Poet Laureate and historiographer royal.

His son, Charles Shadwell was also a playwright. A scene from his play, The Stockjobbers was included as an introduction in Caryl Churchill's Serious Money (1987).

Poems

Dear Pretty Youth

Dear Pretty Youth

Dear pretty youth, unveil your eyes,
How can you sleep when I am by?
Were I with you all night to be,
Methinks I could from sleep be free.
Alas, my dear, you're cold as stone:
You must no longer lie alone.
But be with me my dear, and I in each arm
Will hug you close and keep you warm.

Love in their little veins inspires

Love in their little veins inspires

Love in their little veins inspires
their cheerful notes, their soft desires.
While heat makes buds and blossoms spring,
those pretty couples love and sing.
But winter puts out their desire,
and half the year they want love's fire.

Nymphs and Shepherds

Nymphs and Shepherds

Nymphs and shepherds, come away.
In ye groves let's sport and play,
For this is Flora's holiday,
Sacred to ease and happy love,
To dancing, to music and to poetry;
Your flocks may now securely rove
Whilst you express your jollity.
Nymphs and shepherds, come away.

See also

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