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Sarah Lucas
Born (1962-10-23) 23 October 1962 (age 62)
Known for sculpture
Movement Young British Artists

Sarah Lucas (born 1962) is an English artist. She is part of the generation of Young British Artists who emerged in 1988. Her works frequently employ visual puns and humour by incorporating photography, sculpture, collage and found objects.

Life and work

Education

Lucas was born in London, England in 1962. She left school at 16, returning to study art at The Working Men's College (1982–83), London College of Printing (1983–84), and Goldsmiths College (1984–87), graduating with a degree in Fine Art in 1987.

Work

Lucas was included in the 1988 group exhibition Freeze along with contemporary artists including Angus Fairhurst, Damien Hirst, and Gary Hume. In 1990, Lucas co-organized the East Country Yard Show with Henry Bond, in which she also exhibited. Her first two solo exhibition in 1992 was titled The Whole Joke. For six months in 1993, Lucas and fellow artist Tracey Emin rented a retail space in east London, The Shop, where they made artworks, ranging from printed mugs to T-shirts with slogans, and put them on sale. In earlier work, she had displayed enlarged pages from the Sunday Sport newspaper. Through her career, Lucas has continued to appropriate everyday materials (including, for example, freshly made fried eggs) to make works that use humour and visual puns.

Lucas-Self-Portrait
Sarah Lucas. Self-Portraits 1990 – 1998 (1999)

Sarah Lucas is also known for her 'Artist as Subject' approach where she produced a series of self-portraits.

Lucas' 2006 sculpture of a life-size bronze horse and cart, Perceval, is situated in Cullum Street, London.

Writing in The Guardian, in 2011, Aida Edemariam said that "Lucas was the wildest of the Young British Artists." In 1996, she was the subject of a BBC documentary, Two Melons and a Stinking Fish.

Exhibitions

Lucas had her first solo exhibition in 1992 at City Racing, an artist run gallery in south London, and her first solo show in New York at the Barbara Gladstone Gallery in 1995. One-person museum exhibitions at Museum Boymans-van Beuningen in Rotterdam, at Portikus in Frankfurt, at Museum Ludwig in Cologne and at Kunsthalle Zurich, Kunstverein am Hamburg and Tate Liverpool have accompanied exhibitions in less conventional spaces—an empty office building for The Law in 1997, a disused postal depot in Berlin for the exhibition Beautiness in 1999, and an installation at the Freud Museum called Beyond the Pleasure Principle in 2000.

Lucas's work has been included in major surveys of new British art in the last decade including Brilliant!—New Art From London at the Walker Art Center, Minneapolis, in 1995, Sensation (Young British Artists from the Saatchi Collection at the Royal Academy in 1997), and Intelligence—New British Art, 2000, at Tate Britain. In 2003, Sarah Lucas participated in the 50th International Biennale of Art in Venice, Outlook: Contemporary Art in Athens, and In-A-Gadda-Da-Vida, a three-person exhibition for Tate Britain with Angus Fairhurst and Damien Hirst in 2004. From October 2005 to January 2006, Tate Liverpool presented the first survey exhibition of Lucas's work.

In 2012 Lucas curated Free, an exhibition at the Southbank Centre by the Koestler Trust. The annual exhibition displays art works by prisoners, detainees and ex-offenders. The theme was '50', to acknowledge the 50th anniversary of Koestler Trust and Lucas was 50 years old at the time.

In 2013 the Whitechapel Gallery in East London hosted a retrospective of Lucas' work.

In 2015 Sarah Lucas represented Britain at the 56th Venice Biennale with SCREAM DADDIO. She was interviewed by close friend Don Brown during the installation of the exhibition.

In September 2018, The New Museum presented the first American survey of Lucas' work in the exhibition "Sarah Lucas: Au Naturel". Lucas has also created new sculptural works for the exhibition, including This Jaguar's Going to Heaven (2018), a severed 2003 Jaguar X-Type—the car's back half burned—and VOX POP DORIS (2018), a pair of eleven-foot-tall thigh-high platform boots cast in concrete. The exhibition traveled to the Hammer Museum in Los Angeles in June 2019.

The National Gallery of Australia's 2021-22 Know My Name Exhibition Part Two features the work Installation of Project 1: Sarah Lucas, as well as her first self-portraits, Eating a Banana.

Numerous works by Lucas feature in the exhibition Big Women at the firstsite gallery in Colchester in the UK in Spring 2023. In September 2023 an exhibition of her work opened at the Tate Britain.

Personal life

Sarah Lucas was born in 1962 to a milkman father and a part-time gardener and cleaner mother, who she says had "absolutely no ambition." She grew up in an estate in Holloway, north London, though she frequently accompanied her parents to other homes to "ogle the furniture." After leaving school, she decided to hitchhike around Europe in search of a direction for her life.

Lucas now lives with her partner Julian Simmons, in the former residence of Benjamin Britten near Aldeburgh; a home which is "tucked away down a long country lane, behind a Baptist church in Suffolk." In August 2014, Lucas was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that issue.

Young British Artists

Young British Artists (YBAs) also known as the Brit artists or the Britart, are a group of British artists who in 1988 began to exhibit together. The group was organized by Damien Hirst and includes Angus Fairhurst, Michael Landy, Christine Borland, Tracey Emin, Cornelia Parker, and Gary Hume. The group became famous for their openness to materials and processes, shock tactics and entrepreneurial attitude. Their first exhibition Freeze included the work of Damien Hirst, Sarah Lucas, Angus Fairhurst, and Michael Landy while they were all still students at Goldsmiths College of Art. The term "Young British Artists" was coined in May 1992 by Michael Corris in Artforum. The acronym YBA wasn't created until 1996 when it was published in Art Monthly magazine. The terms became the brand for the group and showcased the "can do" spirit their art entailed.

Gallery representation

Lucas is represented by Sadie Coles HQ, London, Barbara Gladstone, New York, and Contemporary Fine Arts, Berlin (CFA).

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