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Robert Mallet-Stevens
Croix villa cavrois arriere bis.JPG
Villa Cavrois
Born March 24, 1886
Paris, France
Died February 8, 1945
Paris, France
Occupation Architect
Buildings Villa Cavrois
Villa Noailles
MalletStevensMezy2
Villa Paul Poiret, 1921-1923
Villa Noailles (Mallet-Stevens, 1923)
Villa Noailles
Villa des frères Martel construite par Robert Mallet-Stevens au 10 rue Mallet-Stevens (Paris), en 1927
Hôtel Martel rue Mallet-Stevens, 1926-1927
FacadeVINT01
Immeuble de rapport du 7 rue Méchain in Paris

Robert Mallet-Stevens (March 24, 1886 – February 8, 1945) was a French architect and designer.

Early life

Mallet-Stevens was born in Paris in a house called Maison-Laffitte (designed by François Mansart in the 17th century). His father and his grandfather were art collectors in Paris and Brussels. His great-uncles were the Belgian painters Joseph Stevens and Alfred Stevens. He received his formal training at the École Spéciale d'Architecture in Paris, during which he wrote Guerande about relationships between the different forms of art.

Career

In 1924 Mallet-Stevens published a magazine called La Gazette Des 7 Arts and at the same time with the help of Ricciotto Canudo founded the Club des amis du 7ème art. A Paris street in the 16th arrondissement, Rue Mallet-Stevens, was built by him in the 1920s and has on it six houses designed by him.

A portfolio of 32 of Mallet-Stevens' designs was published under the title Une Cité Moderne in 1922. In addition to designing shops, factories, a fire station in Paris, apartment buildings, private homes, and interiors, he was one of the first architects to show an interest in cinema. He designed film sets and his design for Marcel L'Herbier's silent film L'Inhumaine (1924) is considered a masterpiece.

In 1929, surrealist photographer and filmmaker Man Ray made a film inspired by his design for the buildings named "Villa Noailles" entitled The Mysteries of the Château de Dé.

During his career he assembled a team of artisans and craftspeople who worked with him: interior designers, sculptors, master glaziers, lighting specialists, and ironsmiths. An example of his collaborative nature is provided by the Union des Artistes Moderne (UAM), formed in 1929 by a group of 25 dissidents of the Société des Artistes-Décorateurs (SAD), and presided over by Robert.

Legacy

Mallet-Stevens ordered that his archives be destroyed upon his death. His wishes were honored and his memory fell into obscurity. A French exhibit of his drawings, models, and actual works at the Centre Pompidou in 2005 sparked public interest in his contributions.

Buildings and projects

  • Villa Paul Poiret (1921–1923), in Mézy-sur-Seine completed in 1932
  • Villa Noailles (1923–1928), in Hyères
  • Villa Cavrois (1929–1932), in Croix
  • Rue Mallet-Stevens (1927), Paris:
    • Villa Allatini, Rue Mallet-Stevens 5
    • Villa de Daniel Dreyfuss, Rue Mallet-Stevens 7
    • Villa Reifenberg, Rue Mallet-Stevens 8
    • Villa des Frères Martel, Rue Mallet-Stevens 10
    • Villa Mallet-Stevens, Rue Mallet-Stevens 12
  • Garage Alfa Romeo, Rue Marbeuf, Paris
  • House of Louis Barillet, Square Vergennes 15, Paris
  • Caserne des Pompiers (firestation, 1935), rue Mesnil 8, Paris
  • Immeuble de rapport de la rue Méchain (1928-1929), in Paris where Tamara de Lempicka used to live until the World War II.

See also

Kids robot.svg In Spanish: Robert Mallet-Stevens para niños

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