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Jerry Goldsmith
Jerry Goldsmith 2.jpg
Goldsmith conducts the London Symphony Orchestra, 2003
Background information
Birth name Jerrald King Goldsmith
Born (1929-02-10)February 10, 1929
Los Angeles, California, United States
Died July 21, 2004(2004-07-21) (aged 75)
Beverly Hills, California, United States
Genres Film score, contemporary classical music
Occupation(s) Composer, conductor
Instruments Synthesizers, Orchestra
Years active 1951–2004

Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor most known for his work in film and television music scores. He composed for such films as Star Trek: The Motion Picture and four other films within the Star Trek franchise, Logan's Run, Planet of the Apes, Patton, Chinatown, The Omen, Alien, Outland, Gremlins, Total Recall, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films and Explorers. He collaborated with some of film history's most accomplished directors.

He has often been considered one of film music history's most innovative and influential composers.

Early life and education

YoungGoldsmith
Jerry Goldsmith as a child

Goldsmith, was born in Los Angeles, California. He started playing piano at age six, but only "got serious" by the time he was eleven. At age thirteen, he studied piano privately with legendary concert pianist and educator Jakob Gimpel and by the age of sixteen he was studying both theory and counterpoint under Italian composer Mario Castelnuovo-Tedesco.

At age sixteen, Goldsmith saw the 1945 film Spellbound in theaters and was inspired by veteran composer Miklós Rózsa's soundtrack to pursue a career in music. Goldsmith later enrolled and attended the University of Southern California where he was able to attend courses by Rózsa, but dropped out in favor of a more "practical music program" at the Los Angeles City College. There he was able to coach singers, work as an assistant choral director, play piano accompaniment, and work as an assistant conductor.

Personal life and death

Goldsmith was married twice. He was first married to Sharon Hennagin in 1950; they divorced in 1970. He married Carol Heather in 1972, and the couple remained together until his death in 2004. His oldest son Joel Goldsmith (1957–2012) was also a composer and collaborated with his father on the score for Star Trek: First Contact.

Goldsmith died at his Beverly Hills home on July 21, 2004 at the age of 75. He was survived by his wife Carol and his children Aaron, Joel (who also died from cancer on April 29, 2012), Carrie, Ellen Edson, and Jennifer Grossman.

Style and influences

Goldsmith cited Igor Stravinsky, Aaron Copland, Miklós Rózsa, Bernard Herrmann, Béla Bartók, and Alban Berg, among others, as some of the main influences to his style of composition.

His style has been noted for its unique instrumentation, utilizing a vast array of ethnic instruments, recorded sounds, synthetic textures, and the traditional orchestra, often concurrently. When asked about his inclination for embracing new techniques and constantly shifting his musical palette throughout his career, Goldsmith said, "It seems like it's me, and that's that! Certain composers are doing the same thing over and over again, which I feel is sort of uninteresting. I don't find that you grow very much in that way. I like to keep changing, trying to do new things. Basically, I'm saying the same thing with a little different twist on it. Once you get caught up in the creative process, something inside takes over, and your subconscious just does it for you."

Goldsmith had a longtime professional association with orchestrator Arthur Morton. Their partnership endured for over 30 years and included the notable scores for Planet of the Apes (1968), Patton (1970), Tora! Tora! Tora! (1970), Papillon (1973), Chinatown (1974), The Omen (1976), MacArthur (1977), Capricorn One (1978), Alien (1979), Star Trek: The Motion Picture (1979), Poltergeist (1982), First Blood (1982), Under Fire (1983), The Russia House (1990). The final score that Arthur Morton orchestrated for Goldsmith was L.A. Confidential (1997).

Awards and nominations

Over the course of his career, Goldsmith received 18 total Academy Award nominations, making him one of the most nominated composers in the history of the Awards. Despite this, Goldsmith won only one Oscar, his score for The Omen (1976). This makes Goldsmith the most nominated composer to have won an Oscar only on one occasion. In 1991, Goldsmith received an Honorary Doctorate of Music from Berklee College of Music.

On May 9, 2017, Goldsmith posthumously received a star on the Hollywood Walk of Fame for his achievements in the music industry, located at 6752 Hollywood Boulevard.

AFI

The American Film Institute respectively ranked Goldsmith's scores for Chinatown (1974) and Planet of the Apes (1968) No. 9 and No. 18 on their list of the 25 greatest film scores. He is one of only five composers to have more than one score featured in the list, including Elmer Bernstein, Bernard Herrmann, Max Steiner, and John Williams. His scores for the following films were also nominated for inclusion:

  • Alien (1979)
  • L.A. Confidential (1997)
  • The Omen (1976)
  • Papillon (1973)
  • A Patch of Blue (1965)
  • Patton (1970)
  • The Sand Pebbles (1966)
  • Star Trek: The Motion Picture (1979)
  • The Wind and the Lion (1975)

Accolades

Award Year Project Category Outcome
Academy Awards 1963 Freud Best Music Score—substantially original Nominated
1966 A Patch of Blue Best Music Score—substantially original Nominated
1967 The Sand Pebbles Best Original Music Score Nominated
1969 Planet of the Apes Best Original Score—for a motion picture [not a musical] Nominated
1971 Patton Best Original Dramatic Score Nominated
1974 Papillon Best Original Dramatic Score Nominated
1975 Chinatown Best Original Score Nominated
1976 The Wind and the Lion Best Original Score Nominated
1977 The Omen Best Original Score Won
"Ave Satani" (from The Omen) Best Original Song Nominated
1979 The Boys from Brazil Best Original Score Nominated
1980 Star Trek: The Motion Picture Best Original Score Nominated
1983 Poltergeist Best Original Score Nominated
1984 Under Fire Best Original Score Nominated
1987 Hoosiers Best Original Score Nominated
1993 Basic Instinct Best Original Score Nominated
1998 L.A. Confidential Best Original Dramatic Score Nominated
1999 Mulan (shared nomination with Matthew Wilder and David Zippel) Best Original Musical or Comedy Score Nominated
Annie Awards 1998 Mulan (shared with Matthew Wilder and David Zippel) Music in a Feature Production Won
British Academy Film Awards 1974 Chinatown Best Film Music Nominated
1975 The Wind and the Lion Best Film Music Nominated
1979 Alien Best Film Music Nominated
1997 L.A. Confidential Best Film Music Nominated
Emmy Awards 1961 Thriller (shared nomination with Pete Rugolo) Outstanding Achievement in the Field of Music for Television Nominated
1966 The Man From U.N.C.L.E. Individual Achievements in Music Nominated
1973 The Red Pony Outstanding Achievement in Music Composition Won
1975 QB VII (ABC Movie Special) Outstanding Achievement in Music Composition for a Special Won
1976 Babe Outstanding Achievement in Music Composition for a Special Won
1981 Masada Outstanding Achievement in Music Composition for a Limited Series or a Special (dramatic underscore) Won
1995 Star Trek: Voyager Outstanding Main Title Theme Music Won
Golden Globe Awards 1965 Seven Days in May Best Original Score Nominated
1967 The Sand Pebbles Best Original Score Nominated
1975 Chinatown Best Original Score Nominated
1980 Alien Best Original Score Nominated
Star Trek: The Motion Picture Best Original Score Nominated
1984 Under Fire Best Original Score Nominated
1993 Basic Instinct Best Original Score Nominated
1998 L.A. Confidential Best Original Score Nominated
1999 Mulan (shared nomination with Matthew Wilder and David Zippel) Best Original Score Nominated
Golden Raspberry Awards 1986 Rambo: First Blood Part II (shared nomination with Peter Schless and Frank Stallone) Worst Original Song Won
King Solomon's Mines Worst Musical Score Nominated
1996 Congo (shared nomination with Lebo M) Worst Original Song Nominated
Grammy Awards 1966 The Man From U.N.C.L.E. (shared nomination with Lalo Schifrin, Morton Stevens, and Walter Scharf) Best Original Score from a Motion Picture or Television Show Nominated
1975 QB VII Album of Best Original Score Written for a Motion Picture or a Television Special Nominated
1976 The Wind and the Lion Album of Best Original Score Written for a Motion Picture or a Television Special Nominated
1977 The Omen Album of Best Original Score Written for a Motion Picture or a Television Special Nominated
1980 Alien Best Album of Original Score Written for a Motion Picture or a Television Special Nominated
1981 "The Slaves" (track from Masada soundtrack) Best Instrumental Composition Nominated
Satellite Awards 1998 L.A. Confidential Best Original Score Nominated
Saturn Awards 1978 The Boys from Brazil Best Music Nominated
Magic Best Music Nominated
1979 Star Trek: The Motion Picture Best Music Nominated
1981 Outland Best Music Nominated
1982 Poltergeist Best Music Nominated
1984 Gremlins Best Music Won
1986 Link Best Music Nominated
1990 Gremlins 2: The New Batch Best Music Nominated
Total Recall Best Music Nominated
1991 Sleeping with the Enemy Best Music Nominated
Warlock Best Music Nominated
1992 Basic Instinct Best Music Nominated
1994 The Shadow Best Music Nominated
1996 Star Trek: First Contact Best Music Nominated
1999 The Mummy Best Music Nominated
2000 Hollow Man Best Music Nominated
2003 Looney Tunes: Back in Action Best Music Nominated

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See also

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