G. H. Evison facts for kids
Quick facts for kids
George Henry Evison
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G H Evison in 1899
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Born | |
Died | 1928 |
(aged 56–57)
Nationality | English |
Other names | Signed as G . H. Evison or Henry Evison |
Occupation | Artist and Book Illustrator |
Years active | 1890 – 1925 |
Known for | Illustrating the Daily Mail's Sixpenny Novels |
George Henry Evison (25 November 1871 – 1928) was a Liverpool artist and book illustrator who illustrated many cheaper books with his strong line drawings. He illustrated magazines with both line drawings and colour wash drawings.
Contents
Early life
Evison was born on 25 November 1871 in Bootle, Liverpool He was the second child of William Flinn Evison (baptised 24 May 1831 – October 1872), a clerk for the Liverpool and America shipping trade, and Sarah Ellen Emson (born third quarter 1845), the daughter of a publican. His parents married on 28 May 1867 at St Simon's Parish in Liverpool. Evison's elder sister Lillie (c. 1870 – 25 December 1871) died shortly after he was born. Evison's father died the following year, before Evison's first birthday.
Training
Evison began his career with a five-year apprenticeship to a lithographic artist in Liverpool, while attending evening classes at the Liverpool School of Art. Typically, apprenticeships began at 14 or 15, and Evison would have been fourteen in November 1885. He attended the Liverpool School of Art He was attending the school in September 1888 when he was awarded a small class prize (7s. 6d.) for attendance and success in exams.
However, at the end of his apprenticeship (c. 1890), he was not satisfied with lithography, and gave it up in favour of pen and ink. He studied pen and ink drawing full-time under John Finnie at the Liverpool School of Art, where he won a scholarship worth £60.
He had already begun to have some drawings accepted by Magazines like Pick-me-up or Judy and this success led to him coming to London and joining the Slade School where he worked for 12 months. His April 1900 profile in The Poster and his cover illustration for that month indicate that he had found acceptance in London.
Exhibiting
Evison exhibited seven times at the Walker Gallery in Liverpool and four times at the Royal Academy. His pieces at the Royal Academy were story illustrations in at least two cases. At least one of his works shown at the Walker Gallery resulted in a sale, Tea-Time sold for £10 in 1894.
Magazine illustration
Initially Evison appears to have concentrated on magazine illustration. He contributed illustrations to a wide range of magazines including:
- Judy
- English Illustrated Magazine
- The Idler
- The Poster
- The Wide World Magazine
- The Strand Magazine
- The Bystander
- To-day, where he had already illustrated two serials for Barry Pain by 1900.{{refn|group=note|This version of To-day was a weekly magazine that ran from 11 November 1893 to 19 July 1905, and was then incorporated with London Opinion. It cost 2d. and had a circulation of 40,000.}
The Poster reported that by 1900 Evison had already worked for four of the Newnes' publications and four of Pearson's publications as well as other magazines.
Example of pen and ink magazine illustration
Evison was a regular illustrator for George Newnes' Wide World Magazine. He did approximately two dozen illustrations for From Job to Job Around the World by Alfred C. B. Fletcher in Wide World Magazine Volume 37, May–October 1916. The serial story covers the adventures of two young Americans who set out from San Francisco to travel around the world with only $10 between them.
Book Illustration
Evison seems to have made a slow start at book illustration. It was only at the end of the first decade of the 20th century that he began to illustrate any significant number of books, and this grew to a flood with his illustrations of the Daily Mail'sixpenny novels.
The following list of books illustrated by Evison is far from complete. The principle sources are searches of the Jisc catalogue,{{refn|group=note|The Jisc Library Hub Discover brings together the catalogues of 165 Major UK and Irish libraries. Additional libraries are being added all the time, and the catalogue collates national, university, and research libraries. and the page about Evison on the Charles Pearce Project.{{refn|group=note|Charles E. Pearch (1843 – 1924) was a prolific [[People of England|English}} author of juvenile fiction, crime fiction, biographies and journalism.}}
No | Author | Year | Title | Publisher | Pages | Notes |
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1 | George MacDonald | 1893 | A dish of orts: chiefly papers on the imagination, and on Shakspere [sic], Enlarged Edition | London, Sampson Low and Company | vi, 322 p., 8º | |
2 | George Humphery | 1900 | The haunted room : a phantasmal phantasy | Sands & Co., London | 217 p., 7 pl., 8º | |
3 | Eric Lisle | 1907 | Under Honour's Flag | London, Frederick Warne & Co | vi, 312 p., 8 illus., 8º | |
4 | George MacDonald | 1908 | Guild Court | London, Edwin Dalton | iv, 331p, illus. | |
5 | George MacDonald | 1908 | Stephen Archer | London, Edwin Dalton | 354 p., Illus. | |
6 | Herbert Escott Inman | 1908 | The Mill-Lass of Idderleigh | London, Frederick Warne & Co | vi. 424 p., 8º | |
7 | George MacDonald | 1908 | The vicar's daughter : an autobiographical story | London, Sampson Low and Company | vii,375p., 3pl. 8º | |
8 | George Mac Donald | 1908 | Weighed and wanting | London, Edwin Dalton | iv, 379 p., fs., 8º | |
9 | Stella. M. Düring | 1910 | Malicious Fortune | London, Amalgamated Press | vi. 154 p., 8º | |
10 | C. Ranger Gull | 1910 | Retribution | London, Amalgamated Press | vi. 150 p., 8º | |
11 | May Wynne | 1911 | Phil’s Cousins | London, Blackie | ||
12 | Effie Adelaide Rowlands | 1911 | For Ever and a Day | London, Amalgamated Press | 136 p., 8º | |
13 | Marie Connor Leighton and Robert Leighton | 1911 | In the Shadow of Guilt. A novel | London, Amalgamated Press | vi. 178 p., 8º | |
14 | Effie Adelaide Rowlands | 1911 | Leila Vane's Burden | London, Amalgamated Press | 138 p., 8º | |
15 | Stanley Portal Hyatt | 1911 | The Little Brown Brother | London, Amalgamated Press | vi. 142 p., 8º | |
16 | William Le Queux | 1911 | Treasure of Israel | London, Amalgamated Press | 124 p., 8º | |
17 | Meredith Nicholson | 1912 | The Port of Missing Men | London, Amalgamated Press | vi. 138 p., 8º | |
18 | Maurice Drake | 1912 | The Salving of a Derelict | London, Amalgamated Press | vi. 112 p. | |
19 | David Graham Phillips | 1912 | The Second Generation | London, Amalgamated Press | vi. 158 p., 8º | |
20 | Mary E. Mann | 1912 | The Sheep & the Goats | London, Amalgamated Press | vi. 136 p., 8º | |
21 | Annie S. Swan | 1913 | The Farrants: a story of struggle and victory | London, Charles H. Kelly | 352 p., illus., 8º | |
22 | Herbert Escott Inman | 1913 | Nancy Lee, Mill Lass | London, Frederick Warne | 416, 4pl., 8º | |
23 | Herbert Strang | 1917 | Carry On! A Story of the Fight for Bagdad | London, Humphrey Milford, OUP | 277 p., 8º | |
24 | John Lea | 1920 | Fights for Freedom – thrilling stories of heroic deeds in the Great War | London, The Epworth Press | Illus. | |
25 | T. C. Bridges | 1920 | Martin Crusoe: a boy’s adventure on Wizard Island | London, George G. Harrap | Col fs., pl., 8º | |
26 | Charles Dickens | 1920 | The Adventures of Oliver Twist [The Newberry Classics] | London, David McKay | Col fs., 4 b&w pl., 8º | |
27 | George Forbes | 1920 | Adventures in Southern Seas : a tale of the sixteenth century | London, George G. Harrap & Co. | 251 p., 8º | |
28 | T. C. Bridges | 1921 | The sky riders : a stirring tale of adventure round the world | London, George G. Harrap & Co. | 192 p., col fs., 4 b&w pl., 8º | |
29 | T. C. Bridges | 1923 | Men of the Mist | London, George G. Harrap & Co. | 4 pl. | |
30 | T. C. Bridges | 1926 | The Book of Discovery | London, George G. Harrap & Co. | Col fs., 4 b&w pl. | |
31 | John G. Rowe | 1926 | The Island Mine: a tale of adventure in tropic seas | London, The Epworth Press | Col. fs. | |
32 | Mona Tracy | 1927 | Rifle and Tomahawk: a stirring tale of the Te Kooti Rebellion | London, George G. Harrap | Col fs., 4 b&w pl. | |
33 | Various | 1927 | The Lucky Boys’ Budget | London, Blackie & Son. | ||
34 | Mona Tracy | 1928 | Lawless Days: a tale of adventure in Old New Zealand and other South Seas | London, George Harrap & Co. | Col fs., illus. | |
35 | R. J. McGregor | 1928 | The Secret Jungle | London, The Sheldon Press | 160 p., 8º | |
36 | Herbert Strang (ed.) | 1934 | The Great Book for Boys | London, Humphrey Milford, OUP | ||
37 | T. C. Bridges | 1934 | Recent Heroes of Modern Adventure | London, George G. Harrap & Co. | Fs. | |
38 | William M. Thayer | UD | From Log-Cabin to White House: Life of James A. Garfield | London, Epworth Press | Col fs., 4 b&w pl. | |
39 | Wingrove Willson (ed.) | UD | The World of Sport and Adventure | London, Aldine Publishing | Illus. |
Example of book illustrations
The following illustrations are not from the cheap editions which featured Evison's strong pen and ink drawings, but from a full-priced Christmas book. The book was Under Honour's Flag {Frederick Warne & Co., London, (1907) by Rev. Eric Lisle. Evison provide eight illustrations for the book, painted rather than in the pen and ink which he used for cheaper editions.
Death
Evison died in the second quarter of 1928, probably in early June. He was buried on 5 June 1928 at All Saints Cemetery in Harrow. At the time of his death, he was still living at his cousin's house at Fulwood, Royston Park, Pinner, where he had lived since at least 1905. He appears not to have left a will.
Assessment
Houfe states that Evison was a particularly good figure artist and that he used pen and ink with heavy body colour.. Thorpe noted that his half-tone drawings in the English Illustrated Magazine were promising. A profound challenge for greater recognition of Evison is that a good deal of book illustration, at least, was for ephemeral editions such as the Daily Mail sixpenny editions. Such cheap editions uses cheap paper and only the boldest of pen and ink art reproduced well. Evison's bold pen and ink drawings were well suited to this constraint. His magazine illustrations covered a much broader range, and were not just restricted to pen and ink work.
Note: Evison has two separate identities in Project Gutenberg.